Week 1 Reading: The Reader’s Reading

The Little Red Tarot "Reader's Reading" spread, using the Shadowscapes tarot
The Little Red Tarot “Reader’s Reading” spread, using the Shadowscapes tarot
The Reader's Reading from the Little Red Tarot Alternative Tarot Reading course (highly recommended!)
The Reader’s Reading from the Little Red Tarot Alternative Tarot Reading course (highly recommended!)

1.   About you in general: what is your most important characteristic?

The Hanged Man

I have some feelings about this. It was hard for me to interpret, to accept. My most important characteristic is my inability to move? Wow. Fuck you, tarot deck. But, as I wrote about when I drew this as yesterday’s card of the day, The Hanged Man is not just immobilization and powerlessness. There’s also a willingness to look at the world from a different perspective, and an acceptance of the “what is”ness of what is.

In this case, I read “most important characteristic” not to mean the characteristic that I already possess and that is important, but the characteristic that I am working on. And in that way, this card feels right and perfect for me right now. A willingness to accept, to allow, to “hang in there” and to take time to allow myself to really gain perspective – those are characteristics I am trying to cultivate in myself. And also, a willingness to recognize when I am not in control, to recognize that in many instances I have never been in control (of other people, for example) – that feels important. Critically important.
2.   What strengths do you already have as a tarot reader, what are you bringing to this course?

King of Swords

I read this as my intellect, my careful weighing of multiple sides of an issue, my contemplative nature. The card itself feels sad and lonely to me. I’ve drawn this card twice as representative of me, my strengths, and what I bring to a situation. This feels sad to me. Lonely. Isolated. Myself and my thoughts. I am trying to reconcile myself with this as a strength, to let myself sit with this part of myself that I do not love so much – time alone, with my thoughts.

Rachel Pollack identifies the court cards in the suit of swords as “battle, powerful mind, discipline” and suggests that a hero in this suit might be Batman. When I read that, I thought – okay. Yes. I’ll take it.
3.   What limits do you feel as you start this course?

Queen of Cups

I wrote about the Queen of Cups before, and it was difficult to think of this as a limit. I’m still processing this. My emotionality limits me here? Yes, I suppose so.

But it also occurs to me, having now sat with this reading for a couple days, that perhaps the limit being highlighted here is that I am not allowing enough of the Queen of Cups in my life. I’m not trusting my heart, not listening to my heart – I mean, there is a lot of Big Feels happening in me, but where is the space to listen to what this heart really needs? Where is the calm? Where is the confidence in my intuition and my emotions and my self-knowledge? Where is my self-knowledge? Am I too attached to a specific outcome to be able to think clearly about the present situation, or other possible outcomes? The Queen of Cups is emotion, yes, but also surety in her experience of that emotion. I don’t have that right now. I think I am going to have to keep sitting with this.
4.   What key lesson can you learn on your developmental journey with tarot?

Page of Cups

From the companion book:

The Page of Cups is sentimental. She is a true romantic at heart, and in a world that is filled with so much noise and bustle, she longs for the time and space to simply breathe and to truly take in the pleasures that abound. She listens to the still voice from deep inside that speaks with understanding and intuition, and she longs to believe in the impossible.

This feels so right and encouraging for me. This feels like a very good companion card to the Queen of Cups in this journey.
5.   How can you be open to learning and developing on this journey?

The Sun

When I refer to the actual sun, the one up in the sky, I call it the Evil Day Star. I’ve never had an affinity for the sun, for bright cloudless skies and hot days. No. Give me clouds and warm rain, give me moonlight.

But.

The Sun (and the sun) are energy. Movement. Life. And I’ve got a lot of Hanged Man energy, a lot of Pentacles energy, weighing me down. Being open to some “go get ’em” isn’t such a bad thing.
6.   What is the potential outcome of your tarot journey?­­­

Four of Swords

I love this. The idea that tarot can give me a space to rest, some respite from the anxiety and sadness that weighs so heavily on me… Not only does this feel hopeful and calming, it also feels accurate. So far, tarot really has given me a deep sense of calm and a focus for the chaotic, frantic, anxious energy that marks my days, and the despair and hopelessness that haunts my evenings. It helps that the Shadowscapes deck is so gentle and welcoming, but I think it’s more than that. It’s a deep immersion in metaphor, an opportunity to pause, to form a question from the chaos of my thoughts, to sit with the many possible answers that present themselves. Tarot fits beautifully with the other mindfulness practices I have started to bring into my days – meditation, and play, and a focus on more material self-care (food, and breath, and time in nature).

The card I’m taking forward with me through the course is… I don’t know. It feels like it should be the Queen of Cups for continuity, but honestly, today, feeling as low as I am and as drained and sad and discouraged… I’m going to take the Four of Swords. Give me some rest, please. Give me some respite. Give me calm. Give me the strength to stay still, to step back, to take the space I need to move more fully into my life. That’s what I need, I think. That’s what I’m hoping for.

Card of the Day: The Hanged Man

The Hanged Man from Stephanie Law's Shadowscapes tarot.
The Hanged Man from Stephanie Law’s Shadowscapes tarot.

Like with yesterday’s card of the day, I am having some capital-f Feelings about this.

The Hanged Man.

Stuck. Powerless. My thoughts about the trope are separate, I realize, from my thoughts about the card. The card itself is beautiful, even hopeful. The little fae creature in front of his face looks loving and positive, almost as if she is about to boop him on the nose. The dryads look worried, sad, but the man himself looks peaceful. Almost like he is mid-dive, rather than suspended.

The purples and browns are calming, and the ankh hanging from a red thread in the top corner… I have feelings about that too. About red threads, and soul mates, and life. Red threads.

I’m working on the week 2 exercises now, the suits and elements of the minor arcana. So I notice that he’s hanging from a wand. From the fire and action that he will eventually take? Or the action he is suspending in order to surrender to this moment?

Last night when I did my week 1 weekly reading – The Reader’s Reading, which I’ll write up later today – the card in the “About you in general: what is your most important characteristic” was The Hanged Man. I had a long, long moment with that. It resonates. And that… hmm. I don’t want it to. But it does. Metaphor, metaphor, metaphor. Fuck you, accurate metaphor.

From the Shadowscapes companion book:

Letting go and surrendering to experience and emotional release. Accepting what is, and giving up control, reversing your view of the world and seeing things in a new light. Suspending action. Sacrifice.

Letting go and surrendering to experience and emotional release. Accepting what is, and giving up control. That does mark my entire journey right now – my effort to let go, to let whatever it is be what it is, to accept it, to give up control (whether it is in my controlling codependent behaviour or in my desire to control the outcome of what my springtime love will eventually do – giving up all those elements of control that are always already illusory. Illusory, but comforting. Fuck, so comforting. The Hanged Man does not look comfortable.)

I also purchased Rachel Pollack’s book Tarot Wisdom, Spiritual Teachings and Deeper Meanings and she writes that a fundamental meaning of the Hanged Man is:

to seem, at least, upside down, the wrong way around.

To others (who think that my holding on and holding the door open to my love is causing me pain, or who think that my spiritual journey is too woo-tastic, or whatever) but for me, now, mostly to myself. Because I think all that. Because I think this is all stupid bullshit and I should close the door on him and on this and fuck all this challenging work. I was just fine as a caterpillar. I don’t need to be a butterfly or moth or whatever I’ll be at the end of this. Fuck it all! It hurts! It’s hard! It hurts. It’s hard.

Rachel Pollack writes:

[M]any modern Tarot readers assume a negative meaning for the Hanged Man… being stuck, hung up, a painful sacrifice. To be honest, this surprises me, for I’ve always seen this card as a kind of liberation of the spirit. …

The Hanged Man… shows us at a stage where we can glimpse the great truths. We begin to understand, not just conceptually but with genuine knowing….

And that is why I’m still doing this.

That red thread, and my belief that I am not done with my springtime love, that we have more to explore together, and that the door needs to stay open in order for that to happen.

And the sense of readiness. The feeling that I am on this path right now because I’m ready to be on this path right now. I am doing this because I am ready to do this. I am ready to let go of old habits that no longer serve me. I am ready to let go of my need to control. I am ready to let go of my codependency, my old pains and traumas. I am ready. I am here because I am ready.

Yes, it sucks.

Yes, it’s hard.

Yes, it feels upside down and I hate it and I struggle with it and I don’t know how much longer I can do it for and I want to get down off this fucking tree, holy fuck, I hate this! Yes.

But also…

Yes, it’s amazing.

Yes, it’s easy, it’s right.

Yes, sometimes I stop struggle, call truce with myself, and see everything shifted and beautiful.

Yes.

I love this, yes. Yes. Yes.

I’m not stuck. I’m growing.

And this, too. The Hanged Man is in a position very much like a caterpillar cocooned and ready for metamorphosis. And that’s a metaphor I’ve been using for myself for weeks now. So.

Onward, with grace and ease.